Der Blaue Engel Stream Der blaue Engel (1930) deutsch stream german online anschauen
Jetzt Verfügbarkeit von Der blaue Engel überprüfen. Der Gymnasialprofessor Rath entdeckt, daß seine Schüler das moralisch anrüchige Lokal "Der blaue. Im Drama Der blaue Engel verfällt Emil Jannings als tyrannischer Gymnasialprofessor den Verführungskünsten von Marlene Dietrich, die in einer zwielichtige. Gibt es Der blaue Engel auf Netflix, Amazon, Sky Ticket, iTunes und co? Jetzt online Stream finden! In dem Hafenvarieté Der blaue Engel verfällt der Gymnasialprofessor Immanuel Rath der drittklassigen Sängerin Lola. Er überredet die junge. Immanuel Rath, ein angesehener, aber tyrrannisch-strenger Schulprofessor in einem Kleinstadtgymnasium, verfällt im Hafenvarieté "Blauer Engel" der Sängerin.

Der Blaue Engel Stream - Statistiken
Vormerken Ignorieren Zur Liste Kommentieren. Das sagen die Nutzer zu Der blaue Engel. Marlene Dietrichs zwangloses, natürliches Spiel, entspricht hingegen den Erfordernissen des Tonfilms weit besser. Lebewohl, meine Konkubine. Rosa Valetti. Eine Verbindung, die ihn geradewegs ins Verderben führt.
The economic hardship and extremely low morale of the period was reflected in the German Expressionist art movement.
In cinematic terms this resulted in a strikingly stylistic use of shadows, shards of light and angular architecture that represented the world as a dark and alienating place that had the power to send you insane.
The Blue Angel captures the sinister undercurrents of German Expressionism. The opening shot of the film over the dramatically angled rooftops is classic German Expressionism as are the various shots of streets and buildings.
The scene where the shadow of the school bullies leer over the sleeping figure of their victim could have come straight out of an Expressionist horror classic such as The Cabinet of Dr.
Caligari , Robert Wiene, or Nosferatu F. Murnau, Nevertheless the Weimar Republic was also a period of great cultural revival and innovation.
Jazz, modern art, the Bauhaus school of design, and theatre thrived and the era also saw the rise of the cabaret, more relaxed attitudes to sexuality and a degree of emancipation for women.
The Blue Angel club, from which the film derives its title, is the setting within the film for this aspect of Weimar Republic life.
It is a place of sex, seduction, voyeurism, drinking and foreign otherness in the guise of exotic music and even a bear that appears in one scene being led through the changing room.
Lola Lola and Professor Immanuel Rath played by silent film veteran Emil Jannings represent the classic dichotomy of the seductive female and the hapless male.
The vampish woman Lola Lola is a force of powerful sexuality, which is aligned with the deadly forces of nature her animal print costumes and the exoticness of The Blue Angel club and otherness.
Professor Immanuel Rath is the lonely and sympathetic male aligned with civilisation he is a respected teacher who falls prey to her untamed femininity.
The key to the strange power wielded by Lola Lola is due to the extraordinary sexuality that Sternberg gives to Dietrich. Vollmoeller for Mr.
And when Marlene entered the door, Sternberg jumped up and said "Erich, this is Lola! She could sue' 'Talk to her, pay her off' Sternberg said.
She didn't sue; she resigned and accepted her fee. John Kahan described Dietrich as "a second-rate actress" before Sternberg's intervention, and Baxter comments on "the awkward shape of her nose [making it necessary to conceal with special lighting] and her stage presence Sternberg began immediately to groom her into "the woman he saw she could become" despite her defects.
The Blue Angel , largely a musical, required that Dietrich, who had "no singing voice at all" learn to vocalize and a coach was hired.
She would learn her lines for the English version by recitation. Critic Andrew Sarris remarks on the irony of this singular director-actress relationship: "Josef von Sternberg is too often subordinated to the mystique of Marlene Dietrich He was intrigued, however, by a story from socialist reformer Heinrich Mann entitled Professor Unrat Professor Filth , which critiques "the false morality and corrupt values of the German middle class" and agreed to adapt it.
The narrative of Mann's story was largely abandoned by Sternberg with the author's consent , retaining only scenes describing an affair between a college professor of high rectitude who becomes infatuated with a promiscuous cabaret singer.
During the filming, Sternberg altered dialog, added scenes and modified cast characterizations that "gave the script an entirely new dimension.
In order to maximize the film's profitability, The Blue Angel was filmed in both German and English, each shot in tandem for efficiency. During filming, although he was still the nominal star of the film with top billing , Jannings could see the growing closeness between Sternberg and Dietrich and the care the director took in presenting her, and the actor became jealous, engaging in histrionics and threatening to quit the production.
The Blue Angel was to be his last great cinematic moment; it was also one of UFA's last successful films. The rise of Lola Lola and fall of Professor Immanuel Rath in reel [ sic ] life is paralleled in the real life by the rise of Marlene Dietrich and the fall of Emil Jannings The Blue Angel was scheduled for its Berlin premiere on April 1, , but UFA owner and industrialist Alfred Hugenberg , unhappy with socialist Heinrich Mann's association with the production, blocked release.
Production manager Pommer defended the film, and Mann issued a statement distancing his anti-bourgeois critique from Sternberg's more sympathetic portrayal of Professor Immanuel Rath in his movie version.
Hugenberg ultimately relented on the grounds of financial expediency, still convinced that Sternberg had concealed within The Blue Angel "a parody of the German bourgeoisie.
The film proved to be "an instant international success. Film historian Andrew Sarris outlines Sternberg's "complex interplay" between Lola and the Professor:.
When Dietrich sings "Falling in Love Again" for the first time, the delivery is playful, flirtatious, and self-consciously seductive.
The final rendition is harsher, colder, and remorseless. The difference in delivery is not related to the old sterotype of the seductress finally showing her true colors, but rather to a psychological development in Dietrich's Lola from mere sensual passivity to a more forceful fatalism about the nature of her desires.
Lola's first instinct is to accept the Professor's paternal protection and her last is to affirm her natural instincts, not as coquettish expedients but as the very terms by which she expresses her existence.
Thus, as the Professor has been defeated by Lola's beauty, Lola has been ennobled by the Professor's jealousy Biographer John Baxter echoes this the key thematic sequence that reveals "the tragic dignity" of Rath's downfall:.
When Rath, in a jealous rage, enters the room where his wife, Lola, is making love to the cabaret strongman, Mazeppa, Sternberg declines to show us Rath — now a madman — at the moment he is violently subdued by the authorities and placed in a straitjacket.
Sternberg rewards the degraded Professor Rath for having "achieved a moment of masculine beauty [by] crowing like a maddened rooster" at Lola's deception: "Sternberg will not cheapen that moment by degrading a man who has been defeated.
From Wikipedia, the free encyclopedia. This article is about the film. For other uses, see Blue Angel disambiguation.
Theatrical release poster. Universum Film A. Paramount Pictures. She prefers this clod to her gilded coxcombs.
Of course she ends up cuckolding him, but almost against her own will. The idiot dies from it.
Good riddance! Film History: An Introduction 2nd ed. Leonard Maltin's Movie Guide Plume, Jannings, as expected, had reacted with special bitterness to the affair, working actively to break down their rapport, throwing tantrums and threatening to walk out.
Indian Express. Retrieved 3 August Playbill , April 1,
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